The new Freedom Tower alongside the Tribute of Light |
This is a repost of a piece I did for the London Jewish Chronicle last year:
The World Trade Center was an anchor for our neighborhood, a north star to help one navigate the warrens of New York’s streets, a beacon for all who could catch a glimpse of its twin towers. The date of its destruction is a similar anchor to the calendar, a fixed point against which we measure our growth. As we gain distance from that day, pixelated images and inchoate impressions have found a measure of coherence, hardened to memory.
Following the attacks, we were faced with the daunting task of rebuilding. Although we suffered no significant physical damage, our collective sense of well-being and confidence were shattered. The Museum family was spared direct loss, but each member of the staff who witnessed the attack and its aftermath was changed. I was in Berlin on 9/11 at the opening of the Jewish Museum and returned Erev Rosh Hashanah to find my apartment uninhabitable and my colleagues, each in their own way, responding to their collective and individual traumas. I had lunch with the Museum’s chairman, Robert Morgenthau, a week or so after my return, and he told me to get the Museum open again as soon as possible. I responded that it would be difficult since we were locked down by roadblocks and surrounded by armed guards. “I’ll take care of the roadblocks,” he said, “you get the Museum cleaned and ready.” He also instructed me to continue with our plans to build a major expansion to our building.
Although I did not voice them, I had many misgivings. It struck me as imprudent at that moment to commit scores of millions of dollars to a major building effort in a grievously wounded neighborhood, the future of which was uncertain. But I followed his instructions, and we reopened the Museum on October 5th and broke ground for the expansion in November.
Ours was the first new construction project in Lower Manhattan following 9/11, and we were warmed by this distinction, which held a particular resonance since our Core Exhibition focuses, in part, on the period following the Holocaust, with its dramatic story of the rebirth of life and community following great tragedy. There were days when trucks conveying new steel for our construction mixed in traffic with trucks transporting twisted relics of steel away from Ground Zero. This jarring juxtaposition in the noisy street presented a potent metaphor for the continuity of life and the impulse to rebuild.
Our new wing opened on the second anniversary of 9/11, finally completing the original vision of the Museum, providing a magnificent building permitting us to offer, finally, a full range of exhibitions and programming. Although more people can fit in my dining room at home than visited us each day during the period immediately following our reopening, visitation has since rebounded, and downtown is booming once again with new amenities and the promise of a bright future. On the first Yahrzeit of 9/11 (23rd of Elul), we opened a remarkably moving and inspiring exhibition about 9/11 focusing on our neighborhood and on the Jewish community, and we mark the anniversary each year with a memorial candle in our lobby and a commemorative program in our theater.
Since 9/11, we have experienced our share of natural disasters – two hurricanes (Irene and Super Storm Sandy) and even a mild earthquake. The disruption caused by these events, and their undeniable emotional impact, reminded us all of that September morning when the norms of everyday life were suddenly upturned, and the stabilizing anchors of our lives were dislodged. But the waters subsided and the earth stopped shaking, and we were left again to face a world that was so unalterably changed 12 years ago.
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